12-20-2015
Grace and peace to you from God our father and from our
Lord and Savior Jesus the Christ. Amen.
Finally! We
made it. We FINALLY get hear something that remotely resembles the familiar
Christmas story. After four longs weeks,
we get Bethlehem. Mary. Babies. And we FINALLY get to bask in the gentle
pre-Christmas glow of this visit between these two pregnant women, literally
swelling with emotion, like a scene straight out of a musical. Mary, right on
cue, even bursts into song.
But unfortunately we’ve come in part-way through a
musical we all THINK we know by heart. We saw the title of this number, read
the words, “Mary,” “Child,” “Womb,” “Mother,” and “Blessed,” and we just know we’re going to get a tear-jerking
scene fit for the best of the Hallmark channel, or at least something set in
soft light and nice music to gently usher us into Christmas.
Well, I hate to break it to you, but SPOILER ALERT! Forget
the songs you’ve been singing along to on the radio - “Silent Night,” “O
Christmas Tree,” and “Santa Claus is Comin’ to Town”! Buckle up, buttercup, because
we’re still in ADVENT, and the heavens are about to be shaken (ADVENT 1), the ax is poised
at the foot of the trees (ADVENT 3), and the mountains are a’coming down (ADVENT 2).
This song of Mary’s is
not just a pretty song, it’s not just tender blessing that Elizabeth
offers, and it’s not just cute baby
bumps these women are sporting. This
blessing is for a woman who should be ashamed. Those babies will grow up to change that world. And that song describes how God is going to change that world
through reversals and revolution, through hormones and the Holy Spirit. In the
ultimate SPOILER ALERT, this song gives a way God’s entire plot.
But first, we have to go back to the prequel, if you will,
the start of Luke 1, to Mary’s relatives Elizabeth and her priest husband Zechariah,
a good couple who tried and failed their entire lives to start a family. One
day, though, as Zechariah was taking his turn doing priestly things in the
temple…in the exact spot and to the exact type of person where
you might exact God to show up… God does. An angel appears. Zechariah is
terrified. The angel says, “Fear not….Elizabeth will have a son.” Zach asks for
proof. And for that he is struck mute - very unfortunate thing in his
profession. But the pregnancy the angel foretells does come to pass, and
Elizabeth will be the mother of John the Baptist, who will announce the coming
of the Lord by baptizing people out in the wilderness.
Anyway, fast forward 6 months. A poor young girl,
probably her early teens, living in a town in the middle of nowhere,
Hicks-ville. It was the LAST spot and the LAST person we might expect God to
make things happen… and yet, God does. An angel appears. Mary is terrified. The
angel says “Fear not…. You will have a son.” Mary is confused, but believes. And
she is given proof – her older relative Elizabeth is pregnant.
Which is where we find Mary today, entering the home of
Zechariah and Elizabeth - these two pregnant prophets, wondering what in the
world God is up to in their lives. These are smart women; they know how the
world works. Mary questions the angel, perhaps from knowing that such a “sign
of God’s favor” as a fatherless pregnancy will cause her to become an
embarrassment to her family and to her fiancé Joseph. That this would likely be
a stigma that would follow her and her son for their whole lives. That for HER - an impoverished unwed teenage
mother from the wrong side of the tracks - to be chosen to bear the Son of the
Most High doesn’t makes sense.
Mary knows very well the song that the world would rather
sing: The powerful rule from their thrones of influence and wealth. The full get
more and the hungry get less. Might makes right; and more guns means more
safety. Mercy is for the weak, and blessings are for the famous and successful.
THIS is the song that makes sense to
our world. This is the song that we hear sung to us ALL. THE. TIME, the moment
we enter a mall or turn on the TV.
And
yet,
here Mary is, radially trusting God’s promise that don’t make sense. Here she
is, singing away in her praise to God. Singing even though she is thrust into
the epic struggle between good and evil.
But she knows how the story ends. Spoiler alert –Good wins. GOD wins.
This very weekend millions of people – including myself -
will see a film that continues a story that began with a poor young man from a planet
in the sticks who is DESTINED to bring down an empire that spans an ENTIRE
GALAXY. This young man is quite literally catapulted from the quiet existence
he had always known into the middle of an epic struggle between the powers of
good and evil. And he does this as a follower of the Force - which embraces the
way KNOWLEDGE, PEACE, and NON-VIOLENCE. Sound familiar?
"I will not fight." |
In the end, the mighty Galactic Empire is toppled, not by
brute force or superior firepower, but by the weak rising up over the strong.
By the triumph of teamwork and friendship over power and intimidation. By Luke Skywalker
laying down his weapon in the final fight with infamous Darth Vader, and vowing
not to fight anymore. By instead singing
a different kind of song altogether.
The first chords of this song were heard at the creation
of the world, and variations have been heard echoing in the ears of God’s
people ever since. A song that Mary gives words to, words that set the stage
for the ministry of the child who is growing in her womb, “a long time ago in a
Galilee far, far away.”
This is a song that is picked up by Zechariah when he is
finally able to speak, and then by the heavenly host that announces the good
news of Jesus’s birth to an unsuspecting audience of shepherds. A song that grows
and takes shape over the course of Jesus’ life, in his preferential treatment
to those considered weak and lowly by those strong and in power. A song that
crescendos on a Friday in the presence of cross, then holds its breath in
pregnant anticipation in a long, three-day silent pause.
A pause that was ended by the deafening crash of a sealed
tomb bursting open.
*the entire alto section really did get totally lost once... |
This song still persists, even now, in this musical
number with no beginning and no end, and no
spectators. That’s right, this is a
musical like the annual Princeton Chapel Messiah Sing-A-Long, where the
audience members ARE the participants. This is God’s song, and no one is left
sitting on the bench, and if the entire Alto section gets lost,* oh well, you
just keep going and find your way back into the song when you can.
Because we will
get lost and lose track of the song; we will
find it difficult to hear it over the other songs clamoring for our attention. Because
we will find ourselves starting
instead to sing along with the songs that the
rest of the world would have us sing. Especially when we are feeling
powerless, that life is out of our control. Especially now at this time of year, in the
busy-ness, stress, and the emotions that come with the holiday season.
Especially now, with so much in the news that would give us cause for fear and
worry. So at these times, we ask ourselves, “Which song am I singing along to right
now?”
Am I singing along with the dominant culture to the tune
of fear, hate, and scarcity?
Or am I singing along with Mary? Do we dare sing with her
about how God has blessed the lowly and powerless, about how God has and will
continue to bring down the mighty, and fill the hungry? About how God has done
and will continue to do great things for
us and through us?
We do. We do dare join in to this grand participatory
musical, where all our different voices and roles have a part and a place. We
dare, along with Mary, in our different ways, in sharing the good news in the
ordinary moments and rejoicing with every fiber of our being in our God who has
looked on us with favor. We dare, and we do so together, with Jesus to lead us.
So let’s practice doing just that. Let’s practice making Mary’s words our words
too, so we can take the song God is singing in our hearts to a world that is
dying to hear it. Amen.
(And for the hymn of the day we sang a version of the Magnificat)
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